In 1894, Santiago Ramón y Cajal stated that the “cerebral case is agnate to a garden abounding with innumerable trees, the cone-shaped cells, which can accumulate their branches acknowledgment to able cultivation, accelerate their roots deeper, and aftermath added admirable flowers and fruits every day.” The oft-annointed “father of avant-garde neuroscience” had a poetic, and accessible, way of anecdotic the abstruse apparatus of the brain, decidedly through his over 2,900 ink and pencil drawings. Created amid 1890 and 1933, they are beat examples of accurate communication, still actualization in textbooks today.

The Beautiful Brain: The Assets of Santiago Ramón y Cajal, now at New York University’s Grey Art Gallery, actualization about 80 of Cajal’s drawings. The traveling exhibition is the aboriginal in the United States on Cajal’s work, and was organized by the Frederick R. Weisman Art Museum at the University of Minnesota with a catalogue published by Abrams Book aftermost year (as covered on Hyperallergic). After it closes in New York on March 31, the actualization will accessible May 2 at the MIT Museum in Cambridge, Massachusetts, again on January 27 at the Ackland Art Museum in Chapel Hill, North Carolina.

Born in 1852 in the boondocks of Petilla de Aragón, Spain, Cajal initially capital to be an artist, but at the advance of his analysis abecedary father, he advised medicine. While the characterization texts call the acoustic apparatus of anniversary aberration astrocyte or glial cell, the accent of The Beautiful Academician is on these assiduous illustrations as beheld art. And Cajal was a adept of ascertainment and concisely accumulation a assumption or alternation of contest into one freehand drawing. It’s this affection that makes them alike today admired as neuroscience studies, capturing sequences and neuron pathways in a way that photographs of the academician cannot.

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